Every Journey junkie knows this pair of tunes - Feeling That Way and Anytime - classics produced by Roy Thomas Baker on Infinity (1978). When it was released, back in those AOR days, they were played back to back. One or both are usually played on set lists today.
What some may not know is that Journey did several songs from the album, including Feeling That Way and Anytime, on a live-in-studio, audience-free jam on the 1978 King Biscuit Flower Hour -- aka Super Jam II. It was recorded at Automatt Studio in San Francisco. The band collaborated with Tower of Power, the Doobie Brothers' Tom Johnston, and two members of the group Stoneground, Annie Sampson and Jo Baker.
This is a powerhouse show that proves Journey was capable of excelling in a diverse range of genres; the R&B roots are sorely missed today, IMHO.
A great write-up of the entire program is at ConcertVault. What makes this worth a listen is the genuinely organic sound of Journey back then -- unvarnished production, pure musicianship, stellar vocals and harmonies -- no pre-recorded backing vocals -- it's all live. It was edited and readied for broadcast, but due to legal issues it never aired. But today you can find all of the performances from the program on YouTube, which you can listen to here. It's amazing.
A snippet from the ConcertVault write up:
"Despite excellent results, legal entanglements prevented these remarkable SuperJam 2 sessions from being scheduled for broadcast, and with the exception of a cover of "Let the Good Times Roll," none have seen official release. Bootleg copies of the sessions did eventually surface, and they became treasured items among Journey collectors, often accompanied with rumors that the masters had been either lost or destroyed. Now, for the first time ever, the complete "Superjam 2" KBFH sessions are presented here in superb quality.
...Bookended by two pairs of classic Journey songs when they were just breaking big and featuring various configurations, performing choice cover songs in between, these recordings represent a peak moment in San Francisco's musical history. These recordings also prove that Journey had not only become masters of commercially successful rock music, but was a group equally adept at many styles of music, including R&B and blues, with compelling examples of both included here.
The sessions begin with a pair of classic rock songs from Journey's breakthrough Infinity album, "Feeling That Way" and "Anytime." The former is a prime example of what Steve Perry brought to the table, featuring a penetrating lead vocal that raises the superb instrumental work of this band to another level. The latter, which features Rolie singing lead, is a solid rocker that also presents Journey in a most positive light. Both of these numbers feature soaring lead guitar work from Schon, but it is keyboardist Rolie's piano work that saves all of the recordings presented here from sounding dated. Nothing more clearly dates late 1970s/early 1980s rock music more than the sound of synthesized keyboards and Rolie wisely avoids using them on these sessions. A talented and tasteful pianist, Rolie's instrumental contributions strongly contribute to the organic feel that make these sessions compelling even decades later."
First off, I wasn't sure that I was going to make this concert of my fave band because 1) I'm never sure how my rheumatoid arthritis will act up - nights out are a rarity for me these days, particularly a weeknight, and 2) I wasn't sure that I could snare decent tickets close to the stage, since I love to take pics and video.
But I'm a long-time fan of all eras of the band, so I wasn't going to let my chronic pain stop me. I was able to take the earlier part of the day to get some rest, load up on liniments and put on my knee braces, elbow sleeves, and wraps on my hands and thumbs and headed off with Kate to the Walnut Creek Amphitheatre to see Journey, with openers Tower of Power and The Steve Miller Band (both put on fantastic, energetic sets). A snippet of TOP:
Re: the tickets, since the date was on a Thursday night, I actually snared great seats at face value on Sunday. I was in Section 1 (Neal's side of the stage, 3 rows back).
***
The Review
Journey's set list at the Raleigh, NC stop didn't deviate from any of the other 2014 dates -- the Dirty Dozen (most hits people know), plus two tracks from 2011's Eclipse:
Be Good to Yourself
Separate Ways (Worlds Apart)
Any Way You Want It
Only the Young
The Star-Spangled Banner
(John Stafford Smith cover) (Neal Schon)
Stone in Love
Mother, Father
(Deen Castronovo on lead vocals)
She's a Mystery
Lights
Piano Solo - (Jonathan Cain)
(Medley of Patiently, When You Love A Woman, Why Can't This Night Go On Forever, several other hits)
Open Arms
Ritual
La Do Da
Anytime
Guitar Solo
Wheel in the Sky
Faithfully
Don't Stop Believin'
Encore:
Lovin', Touchin', Squeezin'
As I said in an earlier essay (A Journey fan's dream deep cuts setlist -- that means no DSB, peeps), I'd rather see the band do an "evening with" smaller tour where they change it up, marketed for the hardcore fans and cover ground in the vast Journey catalog of fantastic lesser-known hits and great "unknown" compositions.
But this tour is about the casual fans of the Greatest Hits, and so we have the above setlist; the house and lawn were packed, and enthusiastically singing along and cheering the band. I was particularly interested in how they would render the Eclipse songs - Ritual and She's a Mystery -- and how the crowd would respond. Those are the two songs that I recorded in full.
The good:
1) Tremendous energy this time around from all of the band members on stage (Arnel Pineda, vocals; Neal Schon on lead guitar; Jonathan Cain on keys, rhythm guitar, Ross Valory on bass, and Deen Castronovo on drums). When I saw them in 2012 in Greensboro toward the end of that leg of the U.S. tour, aside from Arnel and Deen, the others seemed quite tired and low-energy.
On Thursday they really revved up the audience.
2) Stagecraft and visuals -- multiple screens with interesting live shots of the band during songs (and fan-submitted photos during "Faithfully), alternating with other eye-catching images.
3) Arnel and Neal know how to work the crowd: Good interaction along with the energy is a huge plus that I have always enjoyed.
The could-be-better:
1) Sound: Tower of Power and the Steve Miller Band were bell-clear, and sonically right on point from where we sat. However, the moment Journey came on, people in my section were visibly in shock at the contrast -- a lot of distortion, with guitar too up-front, and even brief mic drop-off on several songs, not only Arnel, but notably Jonathan Cain during Anytime. The distortion on Separate Ways and the Star Spangled Banner in particular was almost painful. Mother Father seemed a bit better on this front. It's such a shame, really, and clearly it wasn't Walnut Creek's system at fault here. Hopefully this was an isolated issue; it remains to be seen if anyone else reports issues on the tour.
Of course, I can only speak for what it sounded like in my section; folks elsewhere or on the lawn may not have experienced what I did.
However, I managed to enjoy the show regardless, since I got great pics and vid. You can see my album here. (All photos and video captured with a point-and-shoot Panasonic Lumix DMC-ZS10 with 21x zoom)
Videos:
She's a Mystery (had a camera glitch and missed a couple of seconds around :37):
This is a song with a non-traditional structure, it starts out straight mid-tempo ballad with simple guitar lead; people didn't quite know what to make of it in my section as it followed the pulsing "Mother Father" by Deeno. Most people stayed to listen and take it in, though. It appeared they thought the song was over when it transitioned abruptly to its scorching, amped-up rocker tempo; that indicated they didn't know the song, which is a shame; Eclipse is a great album, and a good showcase for Arnel's original voice and contributions to the band as it exists now.
Ritual
This great little rocker went over well; had the audience curious. Arnel and the band definitely looked jazzed doing something other than the Dirty Dozen.
***
The other "experience" at the concert
An aside about the concert experience as someone now experiencing increasing physical disability; I was completely spent and hurting after the Journey concert, but it was a rare night out that provided a couple of hours of time to get back to something that I enjoyed immensely -- taking pix and vids while enjoying my fave band. I've had to permanently give up so much to this disease, from my political blog, my weekends and evenings since the job saps what energy I have left, the ability to travel unassisted, etc. It's unrelenting.
The fantasy getaway of those few hours of fun at Walnut Creek came crashing down when that woman nearly pushed me down on the ground for "walking too slow" on the way out and that "it's not hard to just walk" (did she not see my knees braces or that I was limping/dragging my left leg?!), affected me profoundly. I just buried myself in editing the pix and vid since it was hard to sleep.
The fact is that this woman that nearly pushed me to the ground just moved on, unaware that she said or did anything hurtful or ignorant. She was simply blissfully unaware of all that could befall her one day in terms of infirmity. To some extent we all are blinded, since thinking about losing physical abilities is why we often avoid those challenged with disabilities (or, rather, render them invisible). I was just humiliated by this woman, who didn't want to or care to understand the obvious, since I was inconveniencing her. I get that elsewhere nowadays, limping on a crosswalk and stopped drivers impatient and gunning their engines to continue as if I'm purposefully robbing them of a few extra seconds of precious forward momentum. I can only imagine what the more severely challenged deal with from the general public.
What kind of setlist would I like to see Journey play before the group stops touring? The band has a large catalog of hits, but there are a lot of lesser-known gems that you may not know about, and if you do, know them, in the last few years you didn't hear them in concert.
Journey, 2011, the Today Show / Pam Spaulding
The last several tours have been triple bills (2014 will feature Tower of Power and the Steve Miller Band opening for the J-Boys), and that means little more than the Greatest Hits (or "Dirty Dozen") will be played for the mass of casual fans that show up. This leaves a chance for one, maybe two lesser-known nuggets to make the setlist. I will not shed a tear if I don't hear the beloved Don't Stop Believing again. A few more from the band's rich catalog would be greatly appreciated!
This post is about a hope and dream that Journey will think about doing maybe 5 dates, in strategic locations in the U.S., that die-hard fans will be willing to travel to -- smaller, more intimate venues (I fantasize about them coming to the Durham Performing Arts Center; and how about going to The Apollo in NYC for the hell of it!?), where they can do a 2.5-3 hour single bill show. If it's just 5 dates, there's no dread about the endless, tiring road dates. They will have time to think about fresh arrangements/concepts for the concerts, and they will be well-rested and enthusiastic about traveling down memory lane to revisit songs that rarely or never saw play on the road, plus personal faves, etc.
Or, rather, MY personal faves. Since this essay is about a dream set list of deeper cuts from albums that I happen to love, I get to set the terms! There's plenty here to argue over, of course (such as leaving the pre-Perry albums off of my consideration list). I welcome comments, and it would be great to see others make their own fantasy setlists; it's all good.
Journey fans are opinionated die hards and there are definite differences as to which period in the band's history is "the best." The fact is that this band is much more than its "classic" period that most casual fans know about and love. (And for the haters? Why are you reading this? Move along.)
What isn't in question, as you sample some of the video clips, is that the band excels in the live environment. They come alive in concert when released from the constraints of the studio.
A couple of caveats about this fantasy --
1) It has to be grounded in reality. Steve Perry is not going to reunite with the band. Period. Done. If he ever turns up in a concert, it will be solo, one-night-only kind of deal, and it will be on his own terms. Or he'll remain happily retired and we'll possibly, one day hear new recorded music from him. Having lunch with The Voice is on my bucket list (I'd probably pass out if I ever did get to meet him), but there's no way a concert appearance going to happen in the context of a reunion tour -- I accept that; and
2) It is has to be plausible that a couple of the former lead vocalists could be convinced to show up at this handful of dates. I'm thinking Robert Fleischman (who's that, you might ask -- well, he wrote and performed in the band before Steve Perry, and is still going strong with his band The Sky these days), Gregg Rolie(the original Journey vocalist, now on the road with Ringo Starr's All Starr Band in 2014), and perhaps even SteveAugeri would say yes to an invitation to sing a couple of numbers from their chapters in the Journey catalog. While I'd love to see short-term frontman JeffScottSoto on board to handle a few of the hits that call for the considerable R&B swagger that he possesses I'm not sure things were left off in a place with the band (long story, for another day) where he'd say yes, given I set the "plausible" standard here. Oy.
So where to begin? I won't bother attempting a sequencing of the setlist. First I need to pick some cuts. My picks for the setlist will have 2 asterisks, runners-up, 1 asterisk.
Let's be counterintuitive and start from the most recent album and go backwards in the DeLorean ...
I saw the kickoff concert for this 2011 release, and they played 5 cuts from this CD, so I was quite fortunate. However, there are fantastic, very Journey-esque tunes on this guitar-heavy work that were never played in concert. Here are the ones I definitely want to hear live (two stars):
Current Journey frontman Arnel Pineda./ Pam Spaulding
City of Hope *
Edge of the Moment *
Chain of Love *
Tantra Anything is Possible **
Resonate *
She's a Mystery *
Human Feel *
Ritual
To Whom It May Concern * Someone **
For crying out loud, there was not a sane reason to leave Anything Is Possible off a 2011 set list. It was actually released and charted as a single! I heard it 3 times when I was randomly out in public, once in a grocery store, once in a Subway. I forgot the third venue. I also heard it on the radio a few times. But it was never played in concert by the band. Huh? It's pure, classic, Journey. Uplifting message, positive, it showcases Arnel's warm, rich tenor, great harmonies, and Neal's guitar just sings during the solo and outro.
Someone -- come on, boys, this is another sure-fire single that never was. It's has a great zingy, pop confection of a synth opening by Jon Cain, paired with ample classic piano keying. I would consider kicking the concert off with this one! Arnel's energy is infectious; so much fun energy!
Runner-up Human Feel was one of the songs played at the Las Vegas February 23, 2011 concert. It has a unique, fascinating syncopation, courtesy of skins master Deen Castronovo, and great pulsing bass on the part of Ross Valory. It threw a lot of concertgoers off beat as they tried to dance to it. It was hilarious. Interesting lyrics about the disconnect in this "digital ocean" of information make this one a winner live. I'd enjoy hearing this one again just to watch Deen go wild on the kit.
Never Walk Away
Like a Sunshower **
Change for the Better **
Wildest Dream
Faith in the Heartland *
After All These Years
Where Did I Lose Your Love **
What I Needed
What It Takes to Win
Turn Down the World Tonight
Almost all of these got an airing in concert as it was Arnel Pineda's debut smash with Journey. The release also featured a CD with re-records of classic Journey hits. But what holds my interest are the original recordings -- Cain and Schon definitely wooed fans with a classic sound on this CD.
Like A Sunshower didn't see the light of day in concert, and it's a pity, so that's why it makes my cut here. Beautiful, slow ballad in an unusual time signature (Pandora says twelve-eight time signature; it's the same as the classic "Lights") and sonically pleasing chord progression that takes advantage of the J-Boys harmonizing. Win.
Change for the Betteris a driving rocker, with a 80 synth + crunchy rhythm guitar style. My ears tend to tire of over-reliance on synthesizers that Jonathan Cain used to create the signature sound of the band in the 80s. Some songs simply don't age well (more on that later), or head directly into Cheez-Wiz land for me. However, this one perfectly matches up to the material and Arnel and Deen's energy. Neal's standard wailing solo fits as well. It's upbeat and has there's a nice pulsing bridge.
Also played in concert during this period is one of my favorites, Where Did I Lose Your Love, that clearly (to me) is a echo/tribute to Motown, written in a minor key, and it benefits from strong piano work by Jon, and great singing guitar work by Neal, and again, the harmonies make this song rise. Want to hear this one live again.
Let's step back into the Journey Wilderness Years after the jump....
